What We Are Doing – Women in Electronic Music

As the woman operating in the spheres of electronic music, it is actually rightly pointed out that we are in a minority – electronic popular music charts and magazines are dominated by male providers. And although I appreciate this being discussed in addition to acknowledged in order to redress the balance of power, I also think it just as interesting and vital to acknowledge plus increase the visibility of what women are doing during these fields.

There are an increasing number of resources online that champion the exact achievements and careers of women in music technology. Primary that springs to mind to me is international networks and even databases Female Pressure and Pink Noises. Female Demand has a comprehensive list of female DJs, VJs, electronic lady musicians and also producers and recording engineers throughout the world. Which means this is a great first port of call if you are female together with active in these fields or if you are a journalist or promoter/booking agent looking for female talent. The mailing list has been a pretty valuable resource for my own music career as I have made associates, collaborations and come across opportunities that have increased my description and audience internationally. So , respect to Suzanne sometimes referred to as Electric Indigo and Tara Rodgers aka Analog Falta for setting up Female Pressure and Pink Noises correspondingly.

There is also the pro-active efforts of Women in Electronic Popular music – a popular Facebook page whose followers are masculine also, an ever increasing Last FM playlist and also a website called Her Beats. Here instigator Dana Dramowicz glass display cases new releases, interviews and other interesting activities and incentives by contemporary female musicians in the electronic scenes. This is very important for increasing the visibility and profiles of these normally independent artists. Another is by the very competent electronic designer Sci Fi sol called best electronic music blog site who is also keen to showcase women’s independent launches alongside the male produced music.

I have been encouraged by recently available increase of interest and attention into the careers and prosperity of pioneering electronic women, who have produced both each year innovative and creative music. Delia Derbyshire seems to benefiting from more acknowledgement for her work at the BBC Radiophonic Working area. And founder of the Radiophonic Workshop, Daphne Oram’s astounding Oramics machine is currently the centre of an exhibition for the Science Museum in London.

So we are doing a lot and many more women active in these fields than most of us might be aware of. But it is also is clear to me that there are not enough high profile women in electronic music event programming and touch and in an electronic music blog. So I can only hope most people who work hard and develop our electronic craft gets more visible and heard. I firmly believe that the larger we hear of and see women surviving and blooming in the electronic music spheres the more women, especially ladies, will think of these fields as a career option at least a very fulfilling and rewarding passion and form of concept and participation in the world.